Concerts
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Mon18Oct202119:30Mozartsaal Schloss Schwetzingen
Schwetzingen
Alban Berg: Violin Concerto (1935) ‚Dem Andenken eines Engels‘
arranged for violin and chamber ensemble by A.TarkmannElisabeth Kufferath, Violin
Ensemble Aisthesis
Walter Nußbaum, conductor
Schwetzinger Festspiele -
Mon01Nov202120:00Laeiszhalle, Großer Saal
Hamburg
Music for future
Ludwig van Beethoven | »Die Geschöpfe des Prometheus« op. 43
Moritz Eggert | »Der Preis der Macht« for Viola and Orchestra. world premiere
Moritz Eggert | »Das Leid des Demiurgen« for Violin and Orchestra. world premiereElisabeth Kufferath, violin and viola
Dominique Horwitz, speaker
Hamburger Camerata
Simon Gaudenz, conductor
Hamburger Camerata -
Thu11Nov202118:30Museum für Photographie
Braunschweig
Solo Recital
Geoffrey Gordon: Aria and Cadenza
Elliott Carter: Figment IV, Mnemosyne, Rhapsodic Musings
Jessie Montgomery: Rhapsody no. 1
Caroline Shaw: In Manus Tuas
Augusta Read Thomas: Incantation
Geoffrey Gordon: ExposureElisabeth Kufferath, Violin/Viola
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Sun14Nov202116:00Sprengel Museum
Hannover
True Pictures?
Elliott Carter: "Figment IV" for viola
Elliott Carter: "Elegy" for viola and piano
Aaron Copland: "Piano Variations" for piano
Geoffrey Gordon: "Exposure" for violin (world premiere)
Aaron Copland: "Nocturne" for violin and piano
Charles Ives: First Sonata (1st movement) for piano
Charles Ives: Fourth Sonata for violin and piano "Children's Day at the Camp Meeting"Elisabeth Kufferath, violin/viola
Tamara Stefanovich, piano -
Tue30Nov202119:45Clavier-Salon
Göttingen
in manus tuas
Caroline Shaw: "In manus tuas" for Viola
Augusta Read Thomas: "Incantation" for Viola
Peter Eötvös: "A Call" for Violin
György Kurtág: Hommage à JSB, In Nomine-all'ongherese and Doloroso from Signs, Games and Messages
Johann Sebastian Bach: Partita for violin solo no. 2 in d minor, BWV 1004Elisabeth Kufferath, Violin and Viola
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Wed01Dec202120:00Sendesaal
Bremen
in manus tuas
Caroline Shaw: "In manus tuas" for Viola
Augusta Read Thomas: "Incantation" for Viola
Peter Eötvös: "A Call" for Violin
György Kurtág: Hommage à JSB, In Nomine-all'ongherese and Doloroso from Signs, Games and Messages
Johann Sebastian Bach: Partita for violin solo no. 2 in d minor, BWV 1004Elisabeth Kufferath, Violin and Viola
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Wed15Dec2021
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Sat15Jan202215:00Helsingborg Konserthus
Helsingborg
Kaija Saariaho: Violin Concerto "Graal Theatre"
Maurice Ravel: "Tzigane"Elisabeth Kufferath, Violin
Helsingborgs Symfoniorkester
Bramwell Tovey, conductor -
Sun06Feb202216:00Sprengel Museum
Hannover
Morton Feldman: The Viola in my Life I und II
and works by George Lewis, Elliott Carter et al.Elisabeth Kufferath, Viola
Das Neue Ensemble
Stephan Meier -
Wed23Feb202219:30Kunstmuseum Wolfsburg
Wolfsburg
Solo Recital
Geoffrey Gordon: Aria and Cadenza
Elliott Carter: Figment IV, Mnemosyne, Rhapsodic Musings
Jessie Montgomery: Rhapsody no. 1
Caroline Shaw: In Manus Tuas
Augusta Read Thomas: Incantation
Geoffrey Gordon: ExposureElisabeth Kufferath, Violin/Viola
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Fri11Mar2022Fri18Mar2022
Tetzlaff Quartet European Tour
Tetzlaff Quartet
Works by Haydn, Beethoven, Schubert, Mendelssohn, Webern
3/10 Warstein
3/11 Freinsheim
3/13 Paris
3/15 Bozen
3/16 Meran
3/17 Blaibach
3/18 Germering
3/19 Elmau
3/20 Brugg
3/21 Bern -
Thu24Mar202219:00Villa Seligmann
Hannover
György Kurtág: "Kafka-Fragments" op. 24
Sarah Maria Sun, Soprano
Elisabeth Kufferath, Violin -
Sat26Mar202220:00Museum für Kunst und Geschichte MAHF
Fribourg
György Kurtág: "Kafka-Fragments" op. 24
Sarah Maria Sun, Soprano
Elisabeth Kufferath, Violin -
Thu21Apr2022Wed27Apr2022
Tetzlaff Quartet US Tour
Tetzlaff Quartett
Works by Haydn, Webern, Berg and Brahms
4/21 Princeton
4/23 UC Berkeley/Cal Performances
4/24 Orange County
4/26 Miami
4/27 New York, Carnegie Hall -
Fri10Jun2022Die Drostei
Pinneberg
Solo Recital
Through Darkness to Light
György Kurtág (geb. 1926)
In Nomine-all‘ongherese aus Signs, Games and MessagesJohann Sebastian Bach (1685-1750)
Partita Nr. 2 in d-moll, BWV 1004György Kurtág
Doloroso’ aus Signs, Games and MessagesJohann Sebastian Bach
Sonate Nr. 3 in C-Dur, BWV 1005Elisabeth Kufferath, Violin
Mich hat schon immer der Moment zwischen der Ciaccona und dem Anfang der C-Dur Sonate fasziniert–der Totentanz als Abschluss des Irdischen und das C-Dur Adagio als Übergang in eine andere Welt. Die Kurtág-Stücke aus der Sammlung Signs, Games and Messages sind auf ihre Ausdrucksessenz reduzierte Miniaturen.(Elisabeth Kufferath)